Poesías escogidas (Spanish Edition)
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He knows the poet's spineless character, and the state of apathy to which he is reduced under the influence of alcohol. He informs his plan to his sister and she accepts. At dawn of some ill-fated day, Ruben has innocently and honestly given himself to the amorous flirts with Rosario, in a house located in front of the lake. The poet, confused and scared, accepts. The poet has no idea about the 'yes' he has uttered.
His senses are completely dulled, and when he wakes up the next morning and regains consciousness, he is in his conjugal bed with Rosario, under the same blanket. He does not protest or complain; but he realizes that he has been the victim of a perfidy, and that this event would go down as a burden of disgrace during his lifetime. El poeta, desconcertado y sobrecogido de miedo, ofrece hacerlo.
He left Rosario in Panama and undertook his journey to the Argentinian capital. Finally, on August 13, , he arrived at Buenos Aires, a city that marked him deeply. In Argentina Dario was well received by the intellectual media of Buenos Aires. His mother, Rosa Sarmiento, died on May 3, Although the poet barely knew his mother, her death considerably affected him.
In October of the same year there was another mishap; the Colombian government abolished its consulate in Buenos Aires depriving Dario of an important source of income. In , in Buenos Aires, Dario published two of his most crucial books: Los raros , a collection of articles about the writers that most interested him, and second, Prosas profanas y otros poemas , the book that established the most definite consecration of Spanish literary modernism.
It took time to happen, but eventually the poems published in both works grew togreat popularity in much of America. However popular it became, though, his work was not initially well received. On December 3 of , Dario embarks once again towards Europe. He arrived in Barcelona on December 22 of In the writings, Ruben expresses his profound sympathy towards Spain, and his confidence in Spain's revival, despite the state of despair he observed. His chronicles about this topic would later be compiled in the book Peregrinaciones.
During the first years of the 20th century, Dario lived in Paris, where in published the second edition of Prosas profanas. That same year Francisca had a daughter by the poet and after giving birth traveled to Paris to reunite with him, leaving the girl to the care of her grandparents. The girl died of smallpox during this period, without her father ever meeting her.
In March he was appointed as consul by Nicaragua. His second child by Francisca was born on the next month, and would also die at a very young age. In he went to Spain as a member of a committee named by the Nicaraguan government whose task was to resolve a territorial dispute with Honduras. This poem was criticized by several writers who did not understand Ruben's sudden change of opinion with respect to the United States' influence in Latin America.
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In Rio de Janeiro, the poet was involved in an obscure romance with an aristocrat, believed to be the daughter of the Russian ambassador in Brazil. It seems that he then conceived the idea of divorcing Rosario Murillo, with whom he had been separated for years. On his way back to Europe, he made a brief stop in Buenos Aires. His tranquility was interrupted by the arrival of his wife, Rosario Murillo, in Paris. She did not accept granting a divorce unless she was guaranteed an economic compensation, which the poet judged to be disproportionate.
In March , when he was leaving for Paris, Dario, whose alcoholism was very advanced, fell gravely ill. Upon recuperating, he returned to Paris, but he was unable to reach an agreement with his wife, so he decided to return to Nicaragua to present his case in court.
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Regardless of the tributes offered to him, he was unsuccessful in obtaining a divorce. In addition, he was not paid what was owed to him due to his position as consul, which made him unable to return to Paris. He had economic problems since his limited budget barely allowed him to meet all of his delegation's expenses, and he went through much economic difficulty during his period as Nicaraguan ambassador.
When Zelaya was overthrown, Dario was forced to renounce to his diplomatic post, which he did on February 25 of During his time as ambassador, there was a rift between Dario and his former friend Alejandro Sawa, whose requests for economic assistance went unheard by Dario.
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His last years In , Dario traveled to Mexico as a member of a Nicaraguan delegation to commemorate a century of Mexican independence. Dario, however, was well received by the people of Mexico, who supported Dario and not the government. In his autobiography, Dario relates those protests with the Mexican revolution which was about to occur: For the first time in thirty three years of absolute control, the house of the old Caesarean emperor had been stoned.
One could say that that was the first thunder of the revolution that brought the dethronement. In light of the slight by the Mexican government, Dario left for La Habana, where, under the effects of alcohol, he attempted to commit suicide, perhaps triggered by the way he had been scorned. After ending his journey due to the end of his contract with the Guido brothers, he returned to Paris and in , invited by Joan Sureda, he traveled to Mallorca and he found quarters at the Carthusian monastery of Valldemosa, where many decades into the past figures such as Chopin and George Sand had resided.
It was in this island where Ruben began writing the novel El oro de Mallorca , which was a fictionalization of his autobiography. The deterioration of his mental health became accentuated, however, due to his alcoholism. In December he headed back to Barcelona, where he lodged at General Zelaya's house. Zelaya had taken Dario under his wing when he was president of Nicaragua. In January he returned to Paris, where he entered a lengthy legal battle with the Guido brothers, who still owed him a large sum of money for the work he had done for them.
With the outbreak of World War I, Dario departed for the United States and he left his wife Francisca and their two surviving sons behind. But by the end of the year, he returned home to Nicaragua.
Dario died on February 6, after he went back to Leon. The funeral lasted several days, and Dario was ultimately buried in the Cathedral of the city of Leon on February 13 that same year, at the base of the statue of Saint Paul near the chancel under a lion made of marble by the Granadan sculptor Jorge Navas Cordonero. Dario soon resigned from his diplomatic post, he moved to Paris where he devoted himself to preparing new books, such as Canto a la Argentina.
At this point, his alcoholism caused him frequent health problems and psychological crisis. It is not certain how or why Dario died, his health had been deteriorating greatly in his last few years. He was suffering frequent hallucinations, and became pathologically obsessed with the idea of death. In the first place, the romantics, particularly Victor Hugo. The final defining element of Darianian esthetic is his admiration towards the symbolists, most importantly, Paul Verlaine.
Recapitulating his own poetic trajectory in the initial poem of Cantos de vida y esperanza Dario himself synthesized his main influences when he affirms that he was "strong with Hugo and ambiguous with Verlaine" "con Hugo fuerte y con Verlaine ambiguo". In the section "Palabras Liminares" of Prosas Profanas Dario had already written a paragraph that reveals the importance of French culture in the development of his literary work: The old Spaniard with a white beard points towards a series of illustrious portraits: "This one -he says- is the great Miguel de Cervantes Saavedra, one-handed genius; this one is Lope de Vega, this one is Garcilaso, this one Quintana.
Then I say: "Shakespeare! Taken and translated from Prosas profanas Los raros is an illustrative volume regarding Dario's literary tastes, which he published on the same year as Prosas profanas , and dedicated to briefly glossing some of the writers and intellectuals towards whom he felt profound admiration. The predominance of French culture is more than evident. Dario wrote: Modernism is nothing more than Spanish verse and prose passed through the fine sieve of the good French verse and the good French prose.
Setting aside his initial stage, before Azul Spanish themes are well represented in his work, already in Prosas profanas and, specially, after his second trip to Spain, in Conscious of contemporaneous Spanish decadence in politics and the arts a preoccupation he shared with the so called Generation of '98 , he frequently was inspired by characters and elements of the past. Regarding authors in other languages, it is worth mentioning that he felt a profound admiration towards three writers from the United States: Ralph Waldo Emerson, Edgar Allan Poe and Walt Whitman.
Evolution The evolution of Dario's poetry is marked by the publication of the books in which scholars have recognized his fundamental works: Azul Before Azul Dario wrote three book and a great number of loose poems which make up what is known as his "literary prehistory" "prehistoria literaria".
Martin Carter Selected Poems / Poesías Escogidas
In the first of these works his readings of Spanish classics is patent, as is the stamp of Victor Hugo. The metric is classic and the tone is predominantly romantic. Modernism's stage of plenitude and of the Darian poetry is marked by the book Prosas profanas y otros poemas , a collection of poems in which the presence of the erotic is more important, and which contains some esoteric themes such as in the poem "Coloquio de los centauros".
In this book, we can also find Dario's own entire exotic imagery: The France of the 18th century, medieval Spain and Italy, Greek mythology, etc. In , Dario published Cantos de vida y esperanza , which announces a more intimate and reflexive trend in his works, without renouncing to the themes that have become linked to the identity of Modernism.
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At the same time, civic poetry appears in his work, with poems like " A Roosevelt", a trend that would be accentuated in El canto errante and in Canto a la Argentina y otros poemas Not all of Dario's poems were published in books during his life. Many of them, appearing only in publications in periodicals, were compiled after his death. He ushered Spanish-language poetry into the modern era by incorporating the aesthetic ideals and modern anxieties of Parnassien and Symbolism, as Garcilaso had infused Castilian verse with Italianate forms and spirit in the 16th century, transforming it forever.
They have not traveled well, particularly in English-speaking countries, where they are all but unknown. The set consists of eight airmail stamps 20 centavos depicted and two souvenir sheets. Chronological List. Alphabetical List. Kindle Cloud Reader Read instantly in your browser. Related video shorts 0 Upload your video. No customer reviews. Share your thoughts with other customers.
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